Torta Mantovana

MANTUA TART

(Torta Mantovana)

Flour, six ounces.

Sugar, six ounces.

Butter, five ounces.

Sweet almonds and pine-seeds, two ounces.

One whole egg.

Four egg-yolks.

A taste of lemon peel.

First work well with a ladle the eggs with the sugar, then pour the flour little by little, still stirring, and finally the butter, previously melted in a double steamer (bain-marie). Put the mixture in a pie-dish greased with butter and sprinkled with flour or bread crumbs ground. On top put the almonds and the pine-seeds. Cut the latter in half and cut the almonds, previously skinned in warm water, each in eight or ten pieces. This tart must not be thicker than one inch, so that it can dry well in the oven, which must not be too hot.

Sprinkle with powdered sugar and serve cold.them for refusing to cook if they dislike cooking, and can find other work as light and as well paid; but, things being as they are, I would suggest that we set to work somehow to make ourselves independent of cooks."

"That 'somehow' is the crux, my dear Livia," said Mrs. Sinclair. "I have a plan of my own, but I dare not breathe it, for I'm sure Mrs. Gradinger would call it 'anti-social,' whatever that may mean."

"I should imagine that it is a term which might be applied to any scheme which robs society of the ministrations of its cooks," said Sir John.

"I have heard mathematicians declare that what is true of the whole is true of its parts," said the Marchesa. "I daresay it is, but I never stopped to inquire. I will amplify on my own account, and lay down that what is true of the parts must be true of the whole. I'm sure that sounds quite right. Now I, as a unit of society, am independent of cooks because I can cook myself, and if all the other units were independent, society itself would be independent—ecco!"

"To speak in this tone of a serious science like Euclid seems rather frivolous," said Mrs. Gradinger. "I may observe—" but here mercifully the observation was checked by the entry of Mrs. St. Aubyn Fothergill.

She was a handsome woman, always dominated by an air of serious preoccupation, sumptuously, but not tastefully dressed. In the social struggle upwards, wealth was the only weapon she possessed, and wealth without dexterity has been known to fail before this. She made efforts, indeed, to imitate Mrs. Sinclair in the elegancies of menage, and to pose as a woman of mind after the pattern of Mrs. Gradinger; but the task first named required too much tact, and the other powers of endurance which she did not possess.

"You'll have some tea, Mrs. Fothergill?" said the Marchesa. "It's so good of you to have come."

"No, really, I can't take any tea; in fact, I couldn't take any lunch out of vexation at having to put you off, my dear Marchesa."

"Oh, these accidents will occur. We were just discussing the best way of getting round them," said the Marchesa. "Now, dear,"—speaking to Mrs. Sinclair—"let's have your plan. Mrs. Gradinger has fastened like a leech on the Canon and Mrs. Wilding, and won't hear a word of what you have to say."

"Well, my scheme is just an amplification of your mathematical illustrations, that we should all learn to cook for ourselves. I regard it no longer as impossible, or even difficult, since you have informed us that you are a mistress of the art. We'll start a new school of cookery, and you shall teach us all you know."

"Ah, my dear Laura, you are like certain English women in the hunting field. You are inclined to rush your fences," said the Marchesa with a deprecatory gesture. "And just look at the people gathered here in this room. Wouldn't they—to continue the horsey metaphor—be rather an awkward team to drive?"

"Not at all, if you had them in suitable surroundings. Now, supposing some beneficent millionaire were to lend us for a month or so a nice country house, we might install you there as Mistress of the stewpans, and sit at your feet as disciples," said Mrs. Sinclair.

"The idea seems first-rate," said Van der Roet; "and I suppose, if we are good little boys and girls, and learn our lessons properly, we may be allowed to taste some of our own dishes."

"Might not that lead to a confusion between rewards and punishments?" said Sir John.

"If ever it comes to that," said Miss Macdonnell with a mischievous glance out of a pair of dark, flashing Celtic eyes, "I hope that our mistress will inspect carefully all pupils' work before we are asked to eat it. I don't want to sit down to another of Mr. Van der Roet's Japanese salads made of periwinkles and wallflowers."

"And we must first catch our millionaire," said the Colonel.

During these remarks Mrs. Fothergill had been standing "with parted lips and straining eyes," the eyes of one who is seeking to "cut in." Now came her chance. "What a delightful idea dear Mrs. Sinclair's is. We have been dreadfully extravagant this year over buying pictures, and have doubled our charitable subscriptions, but I believe I can still promise to act in a humble way the part of Mrs. Sinclair's millionaire. We have just finished doing up the 'Laurestinas,' a little place we bought last year, and it is quite at your service, Marchesa, as soon as you liketo occupy it."

This unlooked-for proposition almost took away the Marchesa's breath. "Ah, Mrs. Fothergill," she said, "it was Mrs. Sinclair's plan, not mine. She kindly wishes to turn me into a cook for I know not how long, just at the hottest season of the year, a fate I should hardly have chosen for myself."

"My dear, it would be a new sensation, and one you would enjoy beyond everything. I am sure it is a scheme every one here will hail with acclamation," said Mrs. Sinclair. All other conversation had now ceased, and the eyes of the rest of the company were fixed on the speaker. "Ladies and gentlemen," she went on, "you have heard my suggestion, and you have heard Mrs. Fothergill's most kind and opportune offer of her country house as the seat of our school of cookery. Such an opportunity is one in ten thousand. Surely all of us—-even the Marchesa—must see that it is one not to be neglected."

"I approve thoroughly," said Mrs. Gradinger; "the acquisition of knowledge, even in so material a field as that of cookery, is always a clear gain."

"It will give Gradinger a chance to put in a couple of days at Ascot," whispered Van der Roet.

"Where Mrs. Gradinger leads, all must follow," said Miss Macdonnell. "Take the sense of the meeting, Mrs. Sinclair, before the Marchesa has time to enter a protest."

"And is the proposed instructress to have no voice in the matter?" said the Marchesa, laughing.

"None at all, except to consent," said Mrs. Sinclair; "you are going to be absolute mistress over us for the next fortnight, so you surely might obey just this once."

"You have been denouncing one of our cherished institutions, Marchesa," said Lady Considine, "so I consider you are bound to help us to replace the British cook by something better."

"If Mrs. Sinclair has set her heart on this interesting experiment. You may as well consent at once, Marchesa," said the Colonel, "and teach us how to cook, and—what may be a harder task—to teach us to eat what other aspirants may have cooked."

"If this scheme really comes off," said Sir John, "I would suggest that the Marchesa should always be provided with a plate of her own up her sleeve—if I may use such an expression—so that any void in the menu, caused by failure on the part of the under-skilled or over-ambitious amateur, may be filled by what will certainly be a chef-d'oeuvre."

"I shall back up Mrs. Sinclair's proposition with all my power," said Mrs. Wilding. "The Canon will be in residence at Martlebridge for the next month, and I would much rather be learning cookery under the Marchesa than staying with my brother-in-law at Ealing."

"You'll have to do it, Marchesa," said Van der Roet; "when a new idea catches on like this, there's no resisting it."

"Well, I consent on one condition—that my rule shall be absolute," said the Marchesa, "and I begin my career as an autocrat by giving Mrs. Fothergill a list of the educational machinery I shall want, and commanding her to have them all ready by Tuesday morning, the day on which I declare the school open."

A chorus of applause went up as soon as the Marchesa ceased speaking.

"Everything shall be ready," said Mrs. Fothergill, radiant with delight that her offer had been accepted, "and I will put in a full staff of servants selected from our three other establishments."

"Would it not be as well to send the cook home for a holiday?" said the Colonel. "It might be safer, and lead to less broth being spoilt."

"It seems," said Sir John, "that we shall be ten in number, and I would therefore propose that, after an illustrious precedent, we limit our operations to ten days. Then if we each produce one culinary poem a day we shall, at the end of our time, have provided the world with a hundred new reasons for enjoying life, supposing, of course, that we have no failures. I propose, therefore, that our society be called the 'New Decameron.'"

"Most appropriate," said Miss Macdonnell, "especially as it owes its origin to an outbreak of plague—the plague in the kitchen."

The First Day

On the Tuesday morning the Marchesa travelled down to the "Laurestinas," where she found that Mrs. Fothergill had been as good as her word. Everything was in perfect order. The Marchesa had notified to her pupils that they must report themselves that same evening at dinner, and she took down with her her maid, one of those marvellous Italian servants who combine fidelity with efficiency in a degree strange to the denizens of more progressive lands. Now, with Angelina's assistance, she proposed to set before the company their first dinner all'Italiana, and the last they would taste without having participated in the preparation. The real work was to begin the following morning.

The dinner was both a revelation and a surprise to the majority of the company. All were well travelled, and all had eaten of the mongrel French dishes given at the "Grand" hotels of the principal Italian cities, and some of them, in search of adventures, had dined at London restaurants with Italian names over the doors, where—with certain honourable exceptions—the cookery was French, and not of the best, certain Italian plates being included in the carte for a regular clientele, dishes which would always be passed over by the English investigator, because he now read, or tried to read, their names for the first time. Few of the Marchesa's pupils had ever wandered away from the arid table d'hote in Milan, or Florence, or Rome, in search of the ristorante at which the better class of townsfolk were wont to take their colazione. Indeed, whenever an Englishman does break fresh ground in this direction, he rarely finds sufficient presence of mind to controvert the suggestions of the smiling minister who, having spotted his Inglese, at once marks down an omelette aux fines herbes and a biftek aux pommes as the only food such a creature can consume. Thus the culinary experiences of Englishmen in Italy have led to the perpetuation of the legend that the traveller can indeed find decent food in the large towns, "because the cooking there is all French, you know," but that, if he should deviate from the beaten track, unutterable horrors, swimming in oil and reeking with garlic, would be his portion. Oil and garlic are in popular English belief the inseparable accidents of Italian cookery, which is supposed to gather its solitary claim to individuality from the never-failing presence of these admirable, but easily abused, gifts of Nature.

"You have given us a delicious dinner, Marchesa," said Mrs. Wilding as the coffee appeared. "You mustn't think me captious in my remarks—indeed it would be most ungracious to look a gift-dinner in the—What are you laughing at, Sir John? I suppose I've done something awful with my metaphors—mixed them up somehow."

"Everything Mrs. Wilding mixes will be mixed admirably, as admirably, say, as that sauce which was served with the Manzo alla Certosina," Sir John replied.

"That is said in your best style, Sir John," replied Mrs. Wilding; "but what I was going to remark was, that I, as a poor parson's wife, shall ask for some instruction in inexpensive cooking before we separate. The dinner we have just eaten is surely only within the reach of rich people."

"I wish some of the rich people I dine with could manage now and then to reach a dinner as good," said the Colonel.

"I believe it is a generally received maxim, that if you want a truth to be accepted you must repeat the same in season and out, whenever you have the opportunity," said the Marchesa. "The particular truth I have now in mind is the fact that Italian cookery is the cookery of a poor nation, of people who have scant means wherewith to purchase the very inferior materials they must needs work with; and that they produce palatable food at all is, I maintain, a proof that they bring high intelligence to the task. Italian culinary methods have been developed in the struggle when the cook, working with an allowance upon which an English cook would resign at once, has succeeded by careful manipulation and the study of flavouring in turning out excellent dishes made of fish and meat confessedly inferior. Now, if we loosen the purse-strings a little, and use the best English materials, I affirm that we shall achieve a result excellent enough to prove that Italian cookery is worthy to take its stand beside its great French rival. I am glad Mrs. Wilding has given me an opportunity to impress upon you all that its main characteristics are simplicity and cheapness, and I can assure her that, even if she should reproduce the most costly dishes of our course, she will not find any serious increase in her weekly bills. When I use the word simplicity, I allude, of course, to everyday cooking. Dishes of luxury in any school require elaboration, care, and watchfulness."

Menu—Dinner {*}

  Zuppa d'uova alla Toscana.     Tuscan egg-soup.
  Sogliole alla Livornese.       Sole alla Livornese.
  Manzo alla Certosina.          Fillet of beef, Certosina sauce.
  Minuta alla Milanese.          Chickens' livers alla Milanese.
  Cavoli fiodi ripieni.          Cauliflower with forcemeat.
  Cappone arrosto con insalata.  Roast capon with salad.
  Zabajone.                      Spiced custard.
  Uova al pomidoro.              Eggs and tomatoes.

* The recipes for the dishes contained in all these menus
     will be found in the second part of the book.  The limits of
     the seasons have necessarily been ignored.

The Second Day

Wednesday's luncheon was anticipated with some curiosity, or even searchings of heart, as in it would appear the first-fruits of the hand of the amateur. The Marchesa wisely restricted it to two dishes, for the compounding of which she requisitioned the services of Lady Considine, Mrs. Sinclair, and the Colonel. The others she sent to watch Angelina and her circle while they were preparing the vegetables and the dinner entrees. After the luncheon dishes had been discussed, they were both proclaimed admirable. It was a true bit of Italian finesse on the part of the Marchesa to lay a share of the responsibility of the first meal upon the Colonel, who was notoriously the most captious and the hardest to please of all the company; and she did even more than make him jointly responsible, for she authorised him to see to the production of a special curry of his own invention, the recipe for which he always carried in his pocket-book, thus letting India share with Italy in the honours of the first luncheon.

"My congratulations to you on your curry, Colonel Trestrail," said Miss Macdonnell. "You haven't followed the English fashion of flavouring a curry by emptying the pepper-pot into the dish?"

"Pepper properly used is the most admirable of condiments," the Colonel said.

"Why this association of the Colonel and pepper?" said Van der Roet. "In this society we ought to be as nice in our phraseology as in our flavourings, and be careful to eschew the incongruous. You are coughing, Mrs. Wilding. Let me give you some water."

"I think it must have been one of those rare grains of the Colonel's pepper, for you must have a little pepper in a curry, mustn't you, Colonel? Though, as Miss Macdonnell says, English cooks generally overdo it."

"Vander is in one of his pleasant witty moods," said the Colonel, "but I fancy I know as much about the use of pepper as he does about the use of oil colours; and now we have, got upon art criticism, I may remark, my dear Vander, I have been reminded that you have been poaching on my ground. I saw a landscape of yours the other day, which looked as if some of my curry powder had got into the sunset. I mean the one poor blind old Wilkins bought at your last show."

"Ah, but that sunset was an inspiration, Colonel, and consequently beyond your comprehension."

"It is easy to talk of inspiration," said Sir John, "and, perhaps, now that we are debating a matter of real importance, we might spend our time more profitably than in discussing what is and what is not a good picture. Some inspiration has been brought into our symposium, I venture to affirm that the brain which devised and the hand which executed the Tenerumi di Vitello we have just tasted, were both of them inspired. In the construction of this dish there is to be recognised a breath of the same afflatus which gave us the Florentine campanile, and the Medici tombs, and the portrait of Monna Lisa. When we stand before any one of these masterpieces, we realise at a glance how keen must have been the primal insight, and how strenuous the effort necessary for the evolution of so consummate an achievement; and, with the savour of the Tenerumi di Vitello still fresh, I feel that it deserves to be added to the list of Italian capo lavori. Now, as I was not fortunate enough to be included in the pupils' class this morning, I must beg the next time the dish is presented to us—and I imagine all present will hail its renaissance with joy—that I may be allowed to lend a hand, or even a finger, in its preparation."

"Veal, with the possible exception of Lombard beef, is the best meat we get in Italy," said the Marchesa, "so an Italian cook, when he wants to produce a meat dish of the highest excellence, generally turns to veal as a basis. I must say that the breast of veal, which is the part we had for lunch today, is a somewhat insipid dish when cooked English fashion. That we have been able to put it before you in more palatable form, and to win for it the approval of such a connoisseur as Sir John Oglethorpe, is largely owing to the judicious use of that Italian terror—more dire to many English than paper-money or brigands—garlic."

"The quantity used was infinitesimal," said Mrs. Sinclair, "but it seems to have been enough to subdue what I once heard Sir John describe as the pallid solidity of the innocent calf."

"I fear the vein of incongruity in our discourse, lately noted by Van der Roet, is not quite exhausted," said Sir John. "The Colonel was up in arms on account of a too intimate association of his name with pepper, and now Mrs. Sinclair has bracketed me with the calf, a most useful animal, I grant, but scarcely one I should have chosen as a yokefellow; but this is a digression. To return to our veal. I had a notion that garlic had something to do with the triumph of the Tenerumi, and, this being the case, I think it would be well if the Marchesa were to give us a dissertation on the use of this invaluable product."

"As Mrs. Sinclair says, the admixture of garlic in the dish in question was a very small one, and English people somehow never seem to realise that garlic must always be used sparingly. The chief positive idea they have of its characteristics is that which they gather from the odour of a French or Italian crowd of peasants at a railway station. The effect of garlic, eaten in lumps as an accompaniment to bread and cheese, is naturally awful, but garlic used as it should be used is the soul, the divine essence, of cookery. The palate delights in it without being able to identify it, and the surest proof of its charm is manifested by the flatness and insipidity which will infallibly characterise any dish usually flavoured with it, if by chance this dish should be prepared without it. The cook who can employ it successfully will be found to possess the delicacy of perception, the accuracy of judgment, and the dexterity of hand, which go to the formation of a great artist. It is a primary maxim, and one which cannot be repeated too often, that garlic must never be cut up and used as part of the material of any dish. One small incision should be made in the clove, which should be put into the dish during the process of cooking, and allowed to remain there until the cook's palate gives warning that flavour enough has been extracted. Then it must be taken out at once. This rule does not apply in equal degree to the use of the onion, the large mild varieties of which may be cooked and eaten in many excellent bourgeois dishes; but in all fine cooking, where the onion flavour is wanted, the same treatment which I have prescribed for garlic must be followed."

The Marchesa gave the Colonel and Lady Considine a holiday that afternoon, and requested Mrs. Gradinger and Van der Roet to attend in the kitchen to help with the dinner. In the first few days of the session the main portion of the work naturally fell upon the Marchesa and Angelina, and in spite of the inroads made upon their time by the necessary directions to the neophytes, and of the occasional eccentricities of the neophytes' energies, the dinners and luncheons were all that could be desired. The Colonel was not quite satisfied with the flavour of one particular soup, and Mrs. Gradinger was of opinion that one of the entrees, which she wanted to superintend herself, but which the Marchesa handed over to Mrs. Sinclair, had a great deal too much butter in its composition. Her conscience revolted at the action of consuming in one dish enough butter to solace the breakfast-table of an honest working man for two or three days; but the faintness of these criticisms seemed to prove that every one was well satisfied with the rendering of the menu of the day.

Menu—Lunch

  Tenerumi di Vitello.          Breast of veal.
  Piccione alla minute.         Pigeons, braized with liver, &c.
  Curry

Menu—Dinner

  Zuppa alla nazionale.         Soup alla nazionale.
  Salmone alla Genovese.        Salmon alla Genovese.
  Costolette alla Costanza.     Mutton cutlets alla Costanza.
  Fritto misto alla Villeroy.   Lamb's fry alla Villeroy.
  Lattughe al sugo.             Stuffed Lettuce.
  Dindo arrosto alla Milanese.  Roast turkey alla Milanese.
  Crema montata alle fragole.   Strawberry cream.
  Tartufi alla Dino.            Truffles alla Dino.