LAUGHING TORSO PART 2
About an hour later the noise of the trams woke
him up and he appeared like " Venus rising from
the Ocean and rose up in the middle of the street.
Many nice old ladies and their daughters, who were
studying Art, were having breakfast on the terrace
of the Rotonde and the Dome and were shocked
and surprised at this strange sight. above me posing as a nina character
Every Friday evening I went to Lavenue's, which
is opposite the Gare Montparnasse.THeir mashed
potatoes is the best that I ever tasted, and the director seems Tom Ford
double! I love go for the tea, the sunday, the price is high, 10 euro,
but is served by waiters in livery and gloves. I went with
Madame Bing and three other Germans. One was
a professor of mathematics. He did not like being
accosted by strange ladies in cafes, so he would sit
when he was alone, with a piece of paper stuck into
the ribbon of his bowler hat with " Sourd-Muet "
written on it. They talked of how the Germans
were going to kill all the English very soon. I pro
tested, but they said,
The high Marais family restaurant with typical charm of old Paris.
Only at midday.
Easy to find because it is opposite the hotel by C. Lacroix.
We eat homemade enchanted by "bohemian"atmosphere.
" You will see, and quite soon
too."
Although they were very nice to me I think
they got great pleasure in trying to frighten me. I
knew nothing whatever about politics or the Euro
pean situation and it did not worry me at all.
Occasionally we would go to the downstairs' bar at
the Cafe du Pantheon in the Boulevourd Michelle . There
were many students and very many painted prosti
tutes there. Sprigs of white lilac were sold and
presented to the ladies. I was rather shocked and
thought that the white lilac was much too pure and
beautiful to be presented to such obvious harpies.
On Friday nights the literary people assembled at
the Closerie des Lilas. The great man there was
Paul Fort, and everybody sat round and listened to
him.
LE LOIR DANS LA THEIERE 3 Rue de Rosiers Paris Tel. 0033 1 42729061
What ambiance! "The dormouse in the teapo"t is always one of my
favorite places. Better to go during the week for lunch or snack
(fabulous cakes) because the weekend. There 'always line up for brunch.
Average prices.
He wore a large black hat and long hair and certainly
looked like a poet. Alexandre Mercereau
was there too;
I knew him, but I never met Paul
Fort. The poets did not really like the artists com
ing there, but we sat in a corner and looked im
pressed, so they got used to us. I wore a jumper
made on the same pattern as those Henri and I wore
in London, only it was of a large cubist design in
blue, orange, and black.
No one in Paris had seen anything quite like it and although Sonia Delaunay
was already designing scarves, this was more start
ling.
It was made and designed for the Omega
Workshops by Roger Fry. I have it on in the
photograph of the dance in the Avenue du Maine,
where Modigliani is standing in the background.
In the Rue de la Gaite is the Gaite Montparnasse, a
music hall rather like the " Old Bedford/' At the
back of the stalls are boxes. We used to go once a
week.
The gallery cost fifty centimes. Modigliani
came with us, too. About twelve of us went one
night and sat in a row on a very narrow and hard
plank in the gallery. Modigliani sat on the end and
pusned and pushed. We all pushed together and he
fell off the end, so in disgust he left us and went to
the bar. There were very funny and very vulgar
revues with the usual bedroom scenes and simple-
minded jokes that made the French workpeople roar
with laughter
.ETAMINE CAFE'
13 Rue des Ecouffes Paris Tel. 0033 1 44780962
A small cafe restaurant in the Marais where you eat well at honest
prices. Tidy dishes, cozy atmosphere and slow food rhythms so do not
plan on eating a mouthful of race .... But it's worth: starter + dish
and dessert 15-16 euros in the evening!
The last time I was in Paris I went
there, but it had all been redecorated in horrible
colours in an attempt to be very modern. One day
I met Archipenko, the sculptor.
He sculpted
statues in tin and wood and exhibited at the Salon
des Independants.
He painted his statues in bright
colours and had a very fine sense of colour. He was
a tall man with a reddish beard and deep set eyes.
I went to his studio with a sculptor whom I knew.
He had a wonderful musical instrument with about
twenty strings that looked like a harp. It was in
vented and made by a sailor and he had bought it
and could play Russian tunes on it. Archipenko had
pupils. There were two very beautiful German girls
who had come to study the abstract. They were
very rich and the elder one kept a monkey and took
a large studio. She drank ether and once went out
for the evening leaving the bottle of ether by the
stove. When she came home later she found one
of the walls of the studio had been blown out.
I had sent the money that I had to a bank in
England and received a money order once a fort
night. One day I went to the Post Office and found
that the duplicate of the money order had not arrived
and that I was penniless till Monday. A girl whom I
knew said that she posed for an elderly American and
would I take her job on for two days as she had to go
to the country. He lived in the
Boulevard Arago,
He had a studio flat there. I was shown into the
studio and the door was shut. I could hear the voices
of rich-sounding women and felt like a housemaid
who was looking for a situation. He put his head
through the door and told me to undress. I took my
clothes off and he eventually appeared. He
grum bled at my figure and said there was not enough of it,
I was furious and took a violent dislike to him. He
made me sit in a most impossible pose which nearly
broke my back, and did some dreadful drawings. He
quite obviously disliked me as much as I disliked him.
He then returned to his rich ladies and I dressed
myself. He came back and gave me two francs-fifty.
Two francs-fifty was half-a-crown in those days and
the usual fee. I sat for him the next day and then
fortunately my money came. This was my first
experience as a professional model. I had others
later, but they were more agreeable. Aleister Crowley was in Paris and I saw him from
time to time. He always went out at midday to say
a prayer to the sun. One day I met him in the
Boulevard Montparnasse. Suddenly he stopped in
the middle of the street and addressed the sun. I
did not know the prayer in question, so respectfully
stood behind him until he had finished. In the
Quarter was a very celebrated artist's model. She
was very beautiful and everyone had enjoyed her
favours except Crowley. Someone said to A. C.,
" You really must take her out to supper and see
what she is really like." The next morning everyone
was having breakfast in the Dome and Crowley
appeared. They cried, " Hullo, A. C., what was it
like? " and he said rather grimly, It was rather
like waving a flag in space. '
One day Beatrice Hastings came to Paris. She
had been a great friend of Katherine Mansfield's
and was a very talented writer. She edited the New
Age with Orage. It was about the most interesting
and well-written paper in London before the War.
She had an introduction to me. She was very
amusing. I introduced her to Modigliani and we
all spent the evening together at the Rotonde.
They drank absinthe, as Beatrice had some money.
They gave me one too, and I felt very daring, as I
had never tasted it. After my first sip, which I
thought horrible and reminded me of cough drops,
Hunt Diederich appeared and threw the rest into
the umbrella stand. I sat with Beatrice and Modig
liani in the evenings, and one evening the young
man with the pale face came in. I said to Beatrice, I think that young man looks very interesting and
I should like to meet him. To my embarrassment
she darted over to him and brought him across. He
seemed very shy and did not say very much. Zad-
kine came in . later and asked us all back to his
studio. Beatrice, I, and the young man went
along. Zadkine had a studio in the Rue Rousselet.
The young man and I sat on the roof among the
chimney-pots until the morning. I thought him
very interesting and romantic. We afterwards went
and sat in a cafe opposite the Gare Montparnasse.
The young man said his name was Edgar. He
would not disclose his surname. He said that he
was a Norwegian and understood Scandinavian, but
refused to speak it. He talked perfect French and
German. I was very much intrigued with him.
He appeared to be always broke and said that he
lived in La Ruche, near the Porte de Versailles.
He talked of the wonderful furniture and library
that he had there. I was not asked to visit him.
One evening he came back to my studio in the
Boulevard Edgar Qjiinet He stayed there with me.
There was a small window very high up near the
roof, and every night a black cat would jump up
from the roof outside and sit there. When the moon
was full it rose just behind the cat and silhouetted it.
The evening he came the cat appeared, and seeing
that I was not alone, vanished, and never came
back again.
The young man appeared to be a complete
mystery. I was by this time desperately in love
with him. Whether he liked me or not I have never been able to discover.
Basil was not at all pleased
about it and it disturbed him a good deal.
Edgar stayed at my place sometimes and some
times went to his mysterious residence. This was
about the twenty-fifth of July 1914. One day I went
to eat by myself in a small workmen's restaurant, op
posite Wassilieff's studio, in the Avenue du Maine. I
was suddenly seized with an indescribable feeling of
horror. I turned cold and sick and laid down my
knife and fork to stare at the blank wall opposite,
unable to eat. I thought that something terrible
was about to happen and imagined that it would
take the form of a punishment for me for having had
such a good time.
Little did I think that that punishment would
wreck not only my life but the lives of millions of
others during the four bitter years ahead.
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