Eric Ravilious

Eric Ravilious travelled far and wide, but no landscape inspired him more than the chalk downs of southern England. Intrigued by the figures and white horses carved into the hills, he painted a series of pictures intended as the basis for a children's book.

The White Horses book was never produced, but his 'dummy' of the book, lost for decades, was recently been purchased by the Wiltshire Heritage Museum. James Russell’s illustrated talk will explore these paintings, teasing out stories and revisiting places that inspired this extraordinary artist. Ravilious, painter, book illustrator, designer of transfer-ware pottery and Official War Artist, is now one of the most popular artists of his period.
Eric William Ravilious (22 July 1903 – 2 September 1942) was an English painter, designer, book illustrator and wood engraver. He grew up in Sussex, and is particularly known for his watercolours of the South Downs.
Ravilious was born on 22 July 1903 in Churchfield Road, Acton, London, the son of Frank Ravilious and his wife Emma (née Ford). While he was still a small child the family moved to Eastbourne in Sussex, where his parents ran an antique shop.
He was educated at Eastbourne Grammar school. In 1919 he won a scholarship to Eastbourne School of Art and in 1922 another to study at the Design School at the Royal College of Art. There he became close friends with Edward Bawden and, from 1924, studied under Paul Nash.
Nash, an enthusiast for wood engraving, encouraged him in the technique, and was impressed enough by his work to propose him for membership of the Society of Wood Engravers in 1925, and helped him to get commissions.
In 1925 he received a travelling scholarship to Italy and visitied Florence, Siena, and the hill towns of Tuscany.Following this he began teaching part-time at the Eastbourne School of Art, and from 1930 taught (also part-time) at the Royal College of Art.
 In the same year he married Eileen Lucy "Tirzah" Garwood (1908-1951) also a noted artist and engraver. Between 1930 and 1932 the couple lived in Hammersmith, London, where there is a blue plaque on the wall of their house at the corner of Upper Mall and Weltje Road. In 1932 they moved to rural Essex where they initially lodged with Edward Bawdenat Great Bardfield. In 1934 they purchased Bank House at Castle Hedingham,  a blue plaque now commemorates this. They had three children: John Ravilious; the photographer James Ravilious; and Anne Ullmann, editor of books on her parents and their work.

In 1928 Ravilious and Bawden painted a mural at Morley College in South London on which they worked for a whole year.Their work was described by J. M. Richards as "sharp in detail, clean in colour, with an odd humour in their marionette-like figures" and "a striking departure from the conventions of mural painting at that time".It was destroyed by bombing in 1941.
In 1933 Ravilious and his wife painted murals at the Midland Hotel in Morecambe.[

Ravilious engraved more than four hundred illustrations and drew over forty lithographic designs for books and publications during his lifetime.His first commission, in 1926, was to illustrate a novel for Jonathan Cape. He went on to produce work both for large companies such as the Lanston Corporation and smaller, less commercial publishers, such as the Golden Cockerel Press (for whom he illustrated an edition of Twelfth Night), the Curwen Press and the Cresset Press. His woodcut of two Victorian gentlemen playing cricket has appeared on the front cover of every edition of Wisden Cricketers' Almanack since 1938. Hiis style of wood-engraving was greatly influenced by that of Thomas Bewick.
In the mid-1930s he took up lithography, making a print of Newhaven Harbour for the "Contemporary Lithographs" scheme, and a set of full-page lithographs for a book called High Street, with text by J. M. Richards.

In 1936 Ravilious was invited by Wedgwood to make designs for ceramics. His work for them included a commemorative mug to mark the coronation of Edward VIII, the "Boat Race" bowl and the "Garden" series of plates, in which each size of plate showed a diffferent plant. Production of Ravilious' designs continued into the 1950s, with the coronation mug design being posthumously reworked for the coronation of Elizabeth II in 1953.

Apart from a brief experimentation with oils in 1930 – inspired by the works of Johan Zoffany– Ravilious painted almost entirely in watercolour.
He was especially inspired by the landscape of the South Downs around Beddingham. He frequently returned to Furlongs, the cottage of Peggy Angus. He considered that his time at Furlongs "...altered my whole outlook and way of painting, I think because the colour of the landscape was so lovely and the design so beautifully obvious ... that I simply had to abandon my tinted drawings" Some of his most famous works, such as Tea at Furlongs, were painted there.
Writer Geraldine Bedell: - "his painting was influenced by his design. His elegant watercolours, with their stipples, hatching and drastically simplified shapes, are instantly recognisable. And he maintained his artistic identity when he became a war artist. - His work is light of touch, elegant, and hugely pleasurable." 

Ravilious was appointed an official war artist in 1940, with the rank of Honorary Captain in the Royal Marines. During that year he painted at the Royal Naval Barracks at Chatham and ; sailed to Norway and the Arctic on board HMS Highlander, which was carrying out escort duties, and painted submarines at Gosport and coastal defences at Newlyn. In 1941 he spent six months with the navy at Dover, then transferred to Scotland in October. He spent much of 1942 at various R.A.F. bases, before being posted to Iceland in August.

He was killed on 2 September 1942 while accompanying a Royal Air Force air sea rescue mission off  Iceland that failed to return to its base.
In 1946, his widow married Henry Swanzy.